Félix-Antoine Morin

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Inspired by traditional and sacred music, Félix-Antoine Morin draw from the ritual the principle of processual dynamic. In the manner of incantations, various elements of sound — surroundings, noises or multiple instruments — are all components which elaborate a device designed not to determine the music but to summon it. A stratified architecture, at times woven from suspended states nourished by opposite polarities. In the substratum of his works, the sound events come close to the melodic without ever giving way to it, form a narrative that navigates across the micro and macro scales, densifying in fragile nodes that disintegrate in the moment.